April 9, 2012
Public performance Sunday, April 15 at 3PM
Clarence & Robertson
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Move upstage about one foot.
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EVERYONE
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Bring the maid back. Sidney – go back to writing music.
Pay attention to whoever is talking.
RELATIONSHIPS – Judges have said this; I have said this; Mark said it tonight. WORK ON THIS. Mark needed this for the characters to be believable.
Move slowly when Robertson, Lee and Irene are saying the believed lines. Don’t freeze.
Set up the welfare scene as quickly and as silently as you strike it.
In the welfare scene, balance the stage by being on the other side – stage right of Lee and Moe.
CIRCLE from yesterday’s notes -· We have to clean up transitions. Know where you are going and where you have been. We need stronger entrances and exits. End the scene before you go on to the next.
· Clean up the dialect. This is up to each one of you. Practice over the three-day break.
· Red Circle walk – Make stronger choices, especially Lee. Lee, you need to be big. Move with the beat, but make it slower motion. Rose and Moe make gestures fitting your character; Irene & another character – try to give him pamphlets; Rian – hold out a clipboard for him to try to reach. Others – hold out dollar bills to him. Walk off as characters. JARED, you want to get out, but there is a force field preventing you from getting away – Yes, I am reading Hunger Games.
We need to see you get progressively worn down.
If you have read this, text or answer on the blog. Tell me something that you will do differently for rehearsal Wednesday at 8PM. We will do a speed through.
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Dancers
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WE NEED NOISES – laughter, excited squeals, etc.IN EVERY DANCE
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Lights
The Baums & others in the family scene
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Move the phone DSR. Move Lee almost DSC on the stool. Everyone look at Moe on the phone. Work on this in class Tuesday.
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Robertson
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At the beginning, don’t look startled – my fault
Cross faster and say your line about crap table sooner.
On one knee when talking about selling stocks
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Lawrence
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Say Livermore’s line early and big.
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Moe
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Phone call louder
Toast with the left hand.
Have a newspaper with your coffee.
When you walk in ask – you cryin
BIGGER – He’s not happy
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Lee
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Up to 29 LOUDER
Keep your head up more – especially during the first pawn shop scene and when saying Herbert Hoover.
React BIGGER to your dad asking for money.
He Loves She Loves – You just happen to be thinking about your mom.
Be paranoid. Keep watching over your shoulder for Ryan.
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Edie and Lee
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Cross behind the trunk and keep walking off.
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Lights
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We will work on those Tuesday.
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Fowler
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Watch and react to what is happening in the Quinn scene and in the welfare scene.
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Fanny
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Lower your voice
Bigger
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Edie and Lee
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Faster scene – Step on lines.
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Moe and Rose
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React to the knocking and buzzer
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Music
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Last buzzer needs to interrupt Moe’s I’m tryin.
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Rose
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Broom – I know you have a lot of stuff – but be prepared.
Sigh about the music
You were monotone tonight
We need to see you get progressively worn down.
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Graham
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Organizer
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Edie
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Louder
More people noises when dancing
Be more stern telling him to leave.
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Sidney and Paige
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This is getting anticipated. Each line should be a new thought and we should see the thoughts.
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Banks/Clarence
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Hit consonants
Be more shaken up when describing Randolph
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Graham
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I’m resigning – show hesitation. People noises breaking up the fight.
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got it
ReplyDeleteSounds good. Ill work on a lower register!
ReplyDeleteI'll try to act more spontanius and not so rehersed ~Paige
ReplyDeleteI'll sure try to work on making sounds when I dance, because right now I sounds like a mute swan...
ReplyDeleteAHHH Area is tomorrrow!!
ReplyDelete